By Mona Rasoolizade • May 2026
My brand started with a ready-to-wear collection and gradually expanded into bespoke designs for private clients, eveningwear collections, and collaborations with other brands, producing their collections in my own atelier. On the surface, everything was working. The brand grew quickly, became visible, and built a strong community. Iranian female singers and bloggers were reaching out for custom designs. From the outside, it looked like the success story of a growing fashion house.
But something can work—and still not be right.
The turning point for me was a trip to Hormuz Island. From the very first moment, I felt a deep connection. Walking alongside stones with astonishing, vibrant colours, I found myself appreciating their value with every look and every touch. And yet, right in the middle of that beauty, I noticed the marks of human presence—waste that the waves had brought back to the shore. A quiet heaviness settled in me. It felt as if those stones, in their silence, were asking for help. In that moment, a new bond formed between me and the earth—our first home.
That trip didn’t make me declare my brand “sustainable” overnight. But it changed the way I see everything.
After that experience, I began researching deeply into the environmental impact of the fashion industry. The further I went, the clearer the scale of the damage became. Ideally, protecting the planet from fashion’s harm would require a complete cultural shift in how people buy, the end of fast fashion, and stopping production driven by financial growth rather than real need. But the reality was hard to ignore: this path felt almost impossible.
That was the moment I understood that I couldn’t control everything. But I could redefine my role within the industry. I could make choices that cause less harm. I could design garments meant to stay—rather than be consumed quickly.
My first and hardest decision was to stop bespoke design. Not because it was wrong, but because it no longer aligned with the values I was developing. I loved watching ideas turn into reality on the body—it was deeply fulfilling for me as a designer. Letting that go was painful. But I learned that sometimes, building a future means releasing the parts of the past we’re attached to. At the same time, with the help of my team, I completely restructured the brand internally. We revisited everything—from how we design and sample to how we approach production. The goal was never perfection. It was awareness. Fewer mistakes, more intention, and clearer decisions at every step.
Today, we try to make conscious choices throughout the entire process—from material sourcing to the moment a garment reaches the customer. It matters to us to know exactly where and how our clothes are made, which is why we work closely and directly with our suppliers. This transparency helps ensure that values like fairness, quality, and responsibility are not just statements, but part of our daily practice.
To reduce waste, I learned 3D design, allowing me to refine designs digitally before production and minimize unnecessary sampling. Staying up to date with industry tools has become essential to how I approach sustainability, because thoughtful design requires continuous learning and adaptation. Along this journey, I let go of many things: the previous structure of my fashion house, the speed of growth, and even parts of the brand’s old identity. But I kept one thing: my mistakes and everything they taught me. Those experiences became the foundation of the brand I’m building today.
If there’s one thing I would share with other designers, it’s this: Sustainability doesn’t start with materials. It starts with the courage to redesign your path—and to accept that some things, no matter how successful they once were, may no longer be right.

About Mona Rasoolizade
Mona Rasoolizade is a fashion designer and the founder of a premium sustainable womenswear brand, focused on timeless design, responsible production, and reducing waste through conscious systems.